THOMAS EAKINS
(July 25, 1844 – June 25, 1916)
One of my favorite “gay” artists and photographers is Thomas Eakins. Though married, many art historians theorize Eakins would be considered bisexual if not predominately homosexual by today’s standards.
Born in Philadelphia in 1844, Thomas Eakins was a Renaissance man of his time—a painter, photographer, sculptor, and even a scientist with formal studies in medicine.
Eakins spent most of his life in Philadelphia, teaching and creating art, leaving the city only to study art in Paris and Spain for a few years.
Though he may not have achieved the commercial success of some of his contemporaries, Eakins was a respected figure among his peers and a dear friend to luminaries like Walt Whitman.
His work spanned a variety of mediums and subjects, from intimate portraits and meticulous studies to groundbreaking photographic processes and artistic nudes.
His passion for the human form and its representation in art was so profound that it ultimately led to his dismissal from his teaching position after he removed a model's loincloth in a mixed-gender class, scandalizing the puritanical values of the time.
Eakins' legacy owes much to the dedication of his widow, who, like Vincent van Gogh's sister-in-law, ensured that his contributions to the art world were recognized and celebrated after his death in 1916.
After his death, in 1917, the artist Robert Henri wrote an open letter to the Art Students League, Eakin’s former employer, about him:
“Thomas Eakins was a man of great character. He was a man of iron will and his will to paint and to carry out his life as he thought it should go. This he did. It cost him heavily but in his works we have the precious result of his independence, his generous heart and his big mind. Eakins was a deep student of life, and with a great love he studied humanity frankly. He was not afraid of what his study revealed to him. In the matter of ways and means of expression, the science of technique, he studied most profoundly, as only a great master would have the will to study. His vision was not touched by fashion. He struggled to apprehend the constructive force in nature and to employ in his works the principles found. His quality was honesty. ‘Integrity’ is the word which seems best to fit him. Personally I consider him the greatest portrait painter America has produced.”
Robert Henri
VINTAGE PHOTOS
MUSIC
Laura Metcalf / J. S. Bach: Cello Suite No. 2 in D minor, BWV 1008 IV. Sarabande
Mira Ma + Eric Jacobsen + Odyssey Orchestra / Mozart: Piano Concerto No. 23 in A major, K. 488: I. Allegro
Blair McMillen + Conway Kuo / Mozart: Violin Sonata in E minor, K. 304 II. Tempo di minuetto
Conway Kuo + Blair McMillen / Mozart: Violin Sonata in G major, K. 301 I. Allegro con spirito
Courtesy Of Epidemic Sound
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